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"Di Bosca in Bosca"
The Bosca Family
and the Wine of Canelli
Purveyor to the émigrés
From a National Company to an International Company
From Industrialist to Farmer
Using the Past to invent the Future
The United States
Italy
Israel
The Rest of the World
The Acquisition of the Cora Company
The response to new Challenges from the Market
Research and Innovation
Harbingers of a revolutionary new Idea
The Gates of the Baltic
The Marriage of Wine and Grain
Five Star Asti
Noblesse oblige
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| THE BOSCA FAMILY AND THE
WINE OF CANELLI |
Here too, the connection is
an ancient one. Pietro Bosca, the son of Secondo
and Domenica Scaglione, and the first member of the Bosca family about
whom we have documentary information, was born in the village of
Sant'Antonio. This hamlet near Canelli is known as the hill country
where the best moscato on earth is grown. It was the Year of Our Lord
1799, a time in which the lives of the peasants of Piedmont were still
substantially the same as under the Ancien Régime, even
though the French Revolution had occurred ten years before. Napoleon
Bonaparte's first campaign in Italy had not disturbed things much. The
juridical and social structure of the countryside was still largely
regulated by the “Statutes of Canelli”, a
legislation that dated back to the mid-fourteenth century. This legal
code imposed a fine of 60 soldi (there were twenty soldi to the lira)
to anyone who “pulled a person's hair, with slapping and
punching”; while a fine of 10 soldi and a sound whipping
might be imposed upon anyone who offered
“unjustified” insults to a respectable woman; a
farmer who injured anyone caught “stealing grapes or other
crops” was not punished. The fines levied against those who
entered a vineyard without permission probably helped, at least in
theory, to protect the harvest: 1 soldo for the theft of a bunch of
grapes, or for stealing reeds or willow branches (still used to fasten
the grapevines to the cane supports); 2 soldi was the fine up until the
first day of August, after plowing, for illegally entering a vineyard;
and the fine rose to 5 soldi thereafter. There was no penalty for
clubbing or beating one's wife or children; in extreme cases, the mayor
had a certain “right of recourse”.
This legal and social system was certainly thrown into upheaval by the
first invasion by French troops in 1796. Napoleon did not actually
enter Canelli, but he did fight a battle with the Piedmontese troops
not far away, at Cairo Montenotte, where he won a famous victory.
General Massena, who apparently took lodging on the site, led soldiers
so underfed and poorly equipped that they treated civilians with even
greater violence than the miliziotti, volunteers or soldiers
press-ganged by the government of Turin, who constituted the partisan
fighters of the time. The worst memory that farmers like Bosca had of
the passage of the Napoleonic troops concerned the assignats with which
the French paid for their wine, the livestock they commandeered, and
the houses and cottages in which they were lodged. These revolutionary
bills of tender were worth less than the paper on which they were
printed.
By the time Pietro Bosca was born, the French soldiers were far away,
in Egypt, but as late as 1831, when he registered his winery with the
public notary of Canelli, he was still assailed by memories of accounts
of those assignats.
This small land owner in the valley of the river Belbo had understood
clearly that it was not wise to live on grapes alone, as his family had
indeed done for many centuries (the name of Bosca appears on the deed
of enfeoffment of Canelli to the feudal lord of the region in 1217).
Even though the renown of the wine he produced had spread far and wide,
reaching Lombardy, Venetia, the Grand Duchy of Tuscany, and even
France, to rely on the production of one's own vineyard was neither
sufficient nor prudent in the face of the unpredictable demand of the
market. It was better, then, to buy wine from others and then sell it
outside of the region.
At a time when Piedmont, newly restored to the House of Savoy, was
swept by crop failures, famines, and revolutionary disorders, when the
collapse of prices was compounded by the incompetence of a debt-ridden
nobility with huge estates, it was necessary to augment his earnings
from the plow, the cart, and the wine press with other sources of
income capable of expanding his economic horizons without demanding
excessive investments. The creation of a company seemed obligatory: it
expanded his physical role from that of land-owner to a legal role as
entrepreneur and merchant; it confirmed his transition from the
peasantry to the bourgeoisie: a new social class that, in the Kingdom
of Sardinia of his time, was viewed with suspicion because it was
thought to be too independent and politically too liberal.
Not that this suspicion worried him unduly. For a vintner like him, who
set out at least once a year for France at the head of a small caravan
of barrel-carts, pulled by pairs of huge Percheron horses, the real
concern was bandits and highwaymen. If he wished to cross the high pass
of the Colle Turchino and climb down into Liguria and out along the
Côte d'Azur, it was necessary to strike some sort of deal
with them. Pietro Bosca had learned to make those deals with a mix of
wine and money, without ever knowing, before he set out, which of the
two would constitute the more effective passport.
There are no surviving photographs of Pietro Bosca. Still, the bust of
him that his son Luigi commissioned for his seventieth birthday
confirms, with its austere gaze and his recherché little bow
tie, the self-satisfied authority of a late-nineteenth-century notable.
Also evident here is the development of the aspirations of an emergent
class, determined to adapt to the political and economic changes of its
times. For the Bosca family, commercial elasticity would in time be
transformed into a strategy: that of a constant quest for the new in
the context of the permanent.
Pietro Bosca was 44—an old man for fatherhood in those
days—when his son Luigi was born in 1843, in the old house of
Sant'Antonio. Over the course of twelve years, his company had not
grown much, even though the vineyards under cultivation had expanded to
four hectares through the government sales of confiscated church
properties.
Luigi
(1843-1928) was
not his first-born son. Pietro had in fact been married before. His
first wife was Maria Teresa Bava, and she had given him two daughters.
He remarried, and Maria Barbero was the mother of Luigi. We know that
this son left his studies and married early; at the age of 21 he
married Margherita Cortese, who eventually gave him four sons and five
daughters. Margherita, too, was the daughter of a small landholder, and
she shared his busy life. She became his chief adviser and directed the
family business during her husband's long absences. She kept him
apprised of the company's progress, sending him regular reports on the
back of post cards that she mailed to the various hotels where he was
scheduled to stop. These brief messages said things like:
“sold fifteen brente of moscato to Signor Bacigalupo of
Quarto”; “picked up the 300 vineroots to plant in
the new vineyard at Monteriolo.” Luigi died at the age of 85,
still running his company. He was the first industrialist of Asti to
receive the title of Cavaliere del Lavoro (Knight of Commerce) in 1913.
He was a patriarch in the true sense of the word, and he had modernized
the Luigi Bosca & Figli company, located in Canelli in what is
now called the Largo dei Cantinieri (literally, cellarmen's square), a
site that still recalls and honors one of the first clusters of
vintners in Piedmont.
For his trademark, Luigi had chosen a significant graphic image: set in
a circle adorned by grapevines, it depicts a lion lying down next to a
shield, with the motto Puritas et Cura (purity and care) engraved upon
it. At the center of the shield, a hand squeezes a bunch of grapes into
a spumante glass. It marked a personal and a programmatic affirmation.
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